"Spatial audio isn't a new technology. It's an old idea whose time has finally come."
- Claude
On-location immersive recording for ensembles, soloists and concert series. From intimate chamber settings to larger acoustic spaces, captured with the microphone arrays and acoustic understanding that spatial music demands.
Immersive mixing for spatial audio formats, turning recordings into full three-dimensional listening experiences. Whether for streaming, installation or physical release. Dolby Atmos, Ambisonics, IAMF, Eclipsa Audio, ASAF, Sony Reality Audio, you name it...
For artists, ensembles and creative partners planning immersive productions who want to work with spatial audio but don't know where to start. I advise on microphone setup, format choice, monitoring, workflow and deliverable strategy, so the project succeeds technically and artistically.
Hi, I'm Dan.
With 30 years of experience in music creation and a decade focused on large-format spatial audio for immersive exhibitions and theme parks, my approach to recording has evolved beyond traditional stereo.
I hold a Master's in Audio Engineering, but my real insights come from hands-on experience, including late-night problem-solving in immersive settings.
At Timebird, I offer immersive recording, spatial mixing, and consulting based on lessons learned. If you're interested in collaboration, I’d love to hear about your project.
